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DC.subject Japan;\\ homosexuality;\\ coming\\ out;\\ identity;\\ orientalism;\\ Japanese;\\ Japanese\\ studies;\\ Japan\\ studies;\\ contemporary\\ Japan;\\ modern\\ Japan;\\ social\\ sciences;\\ society;\\ economy;\\ politics;\\ culture;\\ sociology;\\ economics;\\ political\\ science;\\ education;\\ educational;\\ research;\\ analysis;\\ study;\\ academic\\ research;\\ creative\\ writing DC.description article\\ 1\\ in\\ 2001\\ in\\ the\\ electronic\\ journal\\ of\\ contemporary\\ japanese\\ studies DCTERMS.abstract In\\ recent\\ years\\ in\\ Anglophone\\ countries\\ and\\ the\\ societies\\ of\\ northern\\ Europe,\\ the\\ 'coming\\ out'\\ narrative\\ has\\ emerged\\ as\\ the\\ primary\\ genre\\ through\\ which\\ individuals\\ who\\ identify\\ as\\ lesbian\\ and\\ gay\\ narrate\\ their\\ lives.\\ Through\\ the\\ wide\\ reach\\ of\\ western\\ gay\\ print\\ media\\ and\\ also\\ sites\\ on\\ the\\ Internet,\\ this\\ discourse\\ is\\ also\\ gaining\\ ground\\ in\\ societies\\ where\\ 'sexuality'\\ has\\ not\\ traditionally\\ been\\ a\\ privileged\\ site\\ of\\ 'identity.'\\ In\\ the\\ 1990s,\\ Japan,\\ like\\ other\\ societies\\ in\\ Asia,\\ underwent\\ a\\ 'gay\\ boom'\\ in\\ which\\ new,\\ primarily\\ western\\ terminology,\\ began\\ to\\ be\\ deployed\\ in\\ an\\ attempt\\ to\\ describe\\ and\\ speak\\ for\\ previously\\ silenced\\ or\\ ignored\\ sexual\\ minorities.\\ 'Coming\\ out'\\ (kaminguauto)\\ is\\ now\\ a\\ relatively\\ common\\ term\\ not\\ only\\ in\\ Japan's\\ gay\\ media,\\ but\\ through\\ the\\ work\\ of\\ gay\\ activists\\ such\\ as\\ Itô\\ Satoru,\\ occurs\\ even\\ in\\ mainstream\\ publications\\ such\\ as\\ the\\ Mainichi\\ shimbun.\r\nThis\\ new\\ visibility\\ of\\ Japanese\\ gay\\ men\\ and\\ lesbians\\ who\\ articulate\\ their\\ identities\\ in\\ a\\ manner\\ very\\ similar\\ to\\ activists\\ in\\ the\\ west\\ has\\ been\\ heightened\\ by\\ two\\ recent\\ English\\ books\\ Queer\\ Japan\\ and\\ Coming\\ Out\\ in\\ Japan.\\ While\\ acknowledging\\ the\\ need\\ to\\ listen\\ to\\ a\\ plurality\\ of\\ voices\\ from\\ Japan,\\ this\\ paper\\ problematises\\ the\\ way\\ in\\ which\\ the\\ coming\\ out\\ narratives\\ in\\ these\\ books\\ have\\ been\\ framed\\ by\\ their\\ western\\ translators.\\ In\\ the\\ introductions\\ to\\ both\\ books,\\ Japan\\ is\\ (once\\ again)\\ pictured\\ as\\ a\\ feudal\\ and\\ repressive\\ society.\\ In\\ their\\ efforts\\ to\\ let\\ the\\ homosexual\\ subaltern\\ speak,\\ the\\ translators\\ fall\\ into\\ the\\ common\\ orientalist\\ paradigm\\ of\\ once\\ more\\ homogenising\\ the\\ Japanese\\ people\\ even\\ as\\ they\\ attempt\\ to\\ use\\ the\\ stories\\ of\\ their\\ homosexual\\ narrators\\ to\\ break\\ down\\ the\\ myth\\ of\\ Japanese\\ homogeneity. DC.publisher electronic\\ journal\\ of\\ contemporary\\ japanese\\ studies DCTERMS.isPartOf\\ electronic\\ journal\\ of\\ contemporary\\ japanese\\ studies DCTERMS.isPartOf\\ urn:ISSN:1476-9158 DC.contributor Dr.\\ Peter\\ Matanle,\\ General\\ Editor,\\ electronic\\ journal\\ of\\ contemporary\\ japanese\\ studies DCTERMS.issued 2001-10-10 DC.type Text DCTERMS.bibliographicCitation McLelland,\\ Mark\\ J.\\ (2001)\\ Out\\ on\\ the\\ Global\\ Stage:\\ Authenticity,\\ Interpretation\\ and\\ Orientalism\\ in\\ Japanese\\ Coming\\ Out\\ Narratives,\\ electronic\\ journal\\ of\\ contemporary\\ japanese\\ studies,\\ Article\\ 1\\ in\\ 2001,\\ At:\\ http://www.japanesestudies.org.uk/articles/McLelland.html DC.format text/html DC.format 153587\\ bytes DC.identifier http://www.japanesestudies.org.uk/articles/McLelland.html DC.language en DC.rights http://www.japanesestudies.org.uk/contents/copyright.html vti_charset:SR|windows-1252